Monday, May 20, 2024

Sisu (2023) movie review and synopsis.

The word “sisu” is almost untranslatable, but its closest meaning suggests an unbreakable determination, a determination that seems to ward off death. Determination is just what Korp will need when, on his way home with a fortune of junk hanging from his saddlebag, he encounters a group of sullen Nazis. The Nazis are recruiting a kind of “treasure” (although these captives are not treated as such), a cadre of Finnish women. Despite his best efforts, the soldiers discover his loot, starting a prize war for the mines.

It would be easy to look down on writer/director Jalmari Helander’s Bloody Hell for its exploitation cinema, spaghetti Western, and 1980s action roots, which owe something to Sergio Leone and Rambo: First Blood, respectively. “. The man of few words character that Tommila portrays is certainly cut from the same cloth as Clint Eastwood’s Man With No Name. Like Rambo, he also has an unlikely resume: Korpi is a former special forces soldier so prolific in killing Russians during the Winter War (he allegedly killed 300 of them to avenge the murder of his wife and daughter his) that they consider him an invincible. ghost. However, this information is not enough to deter the German company’s wild commander, Bruno (Aksel Hennie). As the war draws to a close and the specter of war crimes looms large, Bruno sees gold as his ticket out of impending doom. In their fight, the film racks up bodies as high as a Rambo death count. But “Sisu” is more than its delightful carnage.

Conventionally, prospectors have been the symbolic vanguard of colonization and land theft. They arrive to exploit the vital resources of an area belonging to an indigenous local population. In America, gold rushes have been an extension of conspicuous wealth. But Helander subtly changes such historical expectations.

For example, it shows how Helander and cinematographer Kjell Lagerroos capture the bleak Finnish landscape: a desolate hellscape ravaged by craters, burning villages, bodies hanging from telephone poles. The entire infrastructure of the country, from the land to the forms of communication, has been broken by bullets, bombs and landmines. When Korpi breaks the still ground around the stream to open the film, opening holes that look like craters, he is not doing so to destroy its physical definition. He is a native who can be interpreted as taking the gold to protect one of his country’s few remaining resources. The Nazis, of course, are considered colonizers, trying to steal the only treasure they haven’t destroyed in this country. It is an exciting reversal of the applicant’s historical image to create a deeply nationalistic message.

RELATED ARTICLES

LEAVE A REPLY

Please enter your comment!
Please enter your name here

Most Popular

Recent Comments

HomeReviewsSisu (2023) movie review and synopsis.

Chinese Film Chinese Film Chinese Film Chinese Film Chinese Film Chinese Film Chinese Film Chinese Film Chinese Film Chinese Film Chinese Film Chinese Film Chinese Film Chinese Film Chinese Film Chinese Film Chinese Film Chinese Film Chinese Film Chinese Film Chinese Film Chinese Film Chinese Film Chinese Film Chinese Film Chinese Film Chinese Film Chinese Film Chinese Film Chinese Film Chinese Film Chinese Film